“ As time goes by and experiences pile up, we make a greater and greater investment in our system of labels.
Mary Douglas, Purity and Danger, via Sherry Turkle’s Evocative Objects
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Philip Jeck @ AAF07 on Vimeo (Vimeo)
(via aaronmeyers)
Introducing SuperCollider (2009-01-15) by Dan Stowell
A live screen-video of a 2-hour introductory tutorial on using SuperCollider 3.3 for music synthesis and audio effects. The tutorial was given by Dan Stowell at the Centre for Digital Music (Queen Mary University of London) on 2009-01-15. The first half covers some of the basics, plus sound synthesis and sound processing. The second half shows you how to put the building blocks together into musical patterns, including how to include randomness into your compositions.
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that’s perfect timing
Nerve Net Noise and Jessica Rylan (Rare Frequency, via disquiet)
beat sequencer by 9volts (9voltshack)
gracies, arnau
From The Mire - Ready for the breakdown
A study reported in The Guardian, suggesting an inverse relationship between complexity in pop and fluctuations in the stock market (“Beyoncé’s new single spells economic doom”) is the kind of thing that gives studying pop music a bad name
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The most obvious flaw in this is that Beyonce’s new single is actually, in a post-Timbaland style, actually pretty sophisticated. There’s a lurking sub-base in there, an offbeat (and atonal) keyboard lick through the verse, and a Joey Beltram style Mentasm stab in the chorus
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It almost makes me wonder if R&B might have some new ideas left after all; compare the track to the lumpen hiphop of 50 Cent and it’s almost polyrhythmic.
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http://www.youtube.com/watch?v=8mVEGfH4s5g
thanks, breakdown.
Can on German TV, 1971 (via Essential Krautrock | NYLVI: Your Place for Vinyl)
“Nobody ever won music out of television” :|
Terry Riley’s “tape-looped jazz quartet from 1963”
Music for the Gift III (via music in a suburban scene)
